Posts Tagged ‘photography tips’

“The Photographer’s Christmas”

Wednesday, December 7th, 2011

‘Twas the photographer’s Christmas and all on my mind
is the fact that my samples are so twenty-o-nine.
“The season’s best images I’ll gather with care,
so I can display them at the next bridal fair.”

And mom in her ‘kerchief , and I in my cap
won’t have any time for a long winter’s nap.
Designing an album can be such a pain.
Hours in Photoshop can drive you insane!

When all of a sudden I arose from this fright,
and remembered that Zookbinders can do this stuff right!
They’ve got a design service just for us pros
they’ll make this so simple, no need to use ROES!

To start a new order set up your account
no need to make phone calls or lay anything out.
Two design styles to choose from, just tell those clever elves
they come in three sizes: get 8’s, 10’s or 12’s.

First answer some questions about how you roll
so our designers can exceed your creativity goal!
And what to my wondering eyes should appear
but an e-mail from Zookbinders – just three days and it’s here!

I followed the link to a virtual album
that to my delight was perfectly awesome!
So classy, so chic, so remarkably quick;
I could ask for revisions, or approve with a click!

‘Twas the photographer’s New Year, and January’s snows
had only just arrived when the Fed-Ex man showed.
From the jumble of parcels wedged into his van
Out came a Zookbinders package so grand!

I cut off the tape and threw open the box,
and what I saw next just made my jaw drop!
“So finely crafted”, I said with elation.
The album surpassed my high expectation.

I just could not help look it over and over.
What I quite liked the most was the ReflectionZ cover.
In this new sample, my work looks so great!
I even got 25% off with thier sample discount rate!

The brides who see this, will all be inclined
to hire me at once and sign on the line!
My 2012 bookings will now reach new heights!
So Merry Christmas to all, and to all a good night!


The essence of matte paper printing, an elegance all its own!

Monday, May 16th, 2011

Since we released the matte paper option for  press printed PhotoBook and PhotoBook Plus products, many of our customers have given it a try. While many customers sing it’s praises recognizing, as we do, the richness of the pebble texture and the ethereal, almost water-color reproduction of color and contrast, other customers have questioned the print quality or have been unhappy with the tonal range of the paper.

We recognize these opinions and, given that it is not in our best interest to deliver a product that a customer is unhappy with, it is perhaps wise to review the different paper surfaces and print methods.

We run two different print processes here at Zookbinders. Our premium album products, including the Zook Book, Matted Albums and LustreBook are true photographic albums printed on photographic paper, sometimes called silver halide paper. Photographic printing means that the prints are made by exposing chemically sensitized paper to light. The photographic printing process has existed in one form or another since the dawn of photography, and it remains the gold standard for image reproduction with the richest and truest colors and widest tonal range.

Other products we offer including PhotoBook Plus, PhotoBook and Soft Cover Press books are all press printed products. They are printed on high-speed digital presses that apply four color inks to a variety of paper surfaces and thicknesses including the matte paper surface available in PhotoBook Plus and PhotoBook. The efficiency of the digital press together with the lower cost of paper materials are largely responsible for allowing us to offer books at a much lower price point than photographic albums. This cost savings has resonated with our customers and these products have found their place in the market as add-on “parent” albums for weddings and bar/bat mitzvahs, as well as the high school senior and portrait markets.

Although the HP Indigo presses we use are state-of-the-art, press printed material has its limitations and cannot always compare to photographs. This is the trade-off for speed and lower cost. The full spectrum of colors that can be achieved in the RGB world of photographic printing are simply not possible in the CMYK press world. You can see this for yourself in Photoshop by opening an image with bright, saturated blues or greens and clicking image > mode > CMYK Color. The diagram below also shows the spectrum of light that is available to both RGB and CMYK color printers.

Getting back to matte papers they, as a whole, also tend to be less contrasty than glossy or satin finishes. Matte paper’s ability to show tonal range in the darkest areas of an image is limited. This is in part what gives the “water color” look to the finished product.

If accurate, saturated reproduction of color at the edges of the color gamut is most important to you, or your clients, selecting from our photographically printed product line of Zook Book, Matted or LustreBook is your best bet. On the other hand, if you or your customer is more price sensitive, or you desire the matte or glossy paper surfaces,  then the press printed PhotoBook Plus and PhotoBook product lines may be just the ticket.

Life is short. Don’t spend it waiting on digital uploads!

Friday, May 6th, 2011

Since we at Zookbinders moved from just assembling photo albums to actually printing the albums too since we launched print-to-bind service in 2006, we’ve learned a thing or two about digital imaging.

We commonly see image files uploaded to us at every conceivable combination of file size and resolution, some which are needlessly large. We recommend that photographers prepare their image files to the accepted industry standard for photographic printing, which is 300 dpi in the sRGB color space and saved at a level 10 JPEG format.

JPEG compression is the clever method of reducing the image size (and therefore storage capacity needed for) digital photographic files devised by the Joint Photographic Experts Group from where it gets its name. Compression means loss of image quality. Without getting too technical here, converting your image files to JPEG is a tradeoff between maintaining image quality and minimizing storage size. The degree of compression can be adjusted. In Photoshop, the range is from 1 to 12 with 1 being the highest degree of compression coupled with the lowest image quality, and 12 being the least compression and highest quality image.

So given that 12 is the highest quality JPEG, why would we recommend a level 10? The answer is that an image saved at level 10 JPEG is roughly one third the size of the level 12 file which will reduce your storage needs and dramatically speed your internet upload time.* Oh, and by the way, no one can tell the difference!  That’s right, there is no noticeable increase in JPEG artifacts going from level 12 to level 10. You don’t have to take our word for it either. The popular internet hosting site SmugMug reports that after years of debate and contests in forums, the results are that no one has been able to tell the difference between printed photographs generated from files stored at Photoshop JPEG 12 and JPEG 10 settings.

The takeaway here is save yourself the frustration and time wasted watching your images upload to your internet hosting site, or to Zookbinders. You won’t be compromising quality, and just maybe you can get off the computer and have dinner with your family.

*For example, given a 12” x 24” album spread at 300dpi, the uncompressed file (either PSD or TIFF, flattened) will be just over 74 mb. Save this file as a level 12 JPEG file, and it drops to around 15mb. If you save it to a level 10 JPEG, it drops to around 5mb or roughly one third the size of the level 12 file without any noticeable loss in image quality.

Take an Old School Challenge

Tuesday, June 1st, 2010

As someone who’s been in this industry for over 25 years, and has fully adapted himself to the digital age, I do find it very refreshing to occasionally go old school and shoot film every now and then. A couple years ago I had a client request an all film, B&W package for their wedding. After the first few minutes of looking at the back of my Canon F-1 wondering where my images were, I got into the groove and really focused on what I was doing in the moment and began seeing the shot in my mind rather than always checking the screen.

Many of us know Scott Kelby as Editor of Photoshop User magazine and President of the National Association of Photoshop Professionals. In a recent blog post he set out a challenge to go “old school” for a weekend. Take a look and give it a try. I find that when I shoot film, I actually put more thought into what I am doing before I click the shutter rather than react to what I see on screen after I click the shutter.

New Print-to-Bind Soft Proofing Profile

Thursday, February 11th, 2010

We’ve updated our Zookbinders Print-to-Bind soft proofing printer profile. If you have downloaded our printer profile to use for soft proofing, please follow the link and download the updated version. Please note that this profile is for soft proofing only. Your print to bind images should not be converted to this color space. 

http://www.zookbinders.com/images/MarketingandSalesImages/New_Profile_0210_Update.icm

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