Posts Tagged ‘Photography Education’

Let it bleed. Not just a Rolling Stones album!

Thursday, June 30th, 2011

Many of us love surprises, but opening an album that you just paid several hundred dollars for only to find that the top of your subject’s head has been cut off is probably not one of them. To avoid such surprises it is important to know two printing terms: bleed and safety margin. It is also important to know that most all printed material gets trimmed. This includes albums, and PhotoBooks from Zookbinders.

The bleed area refers to that area of artwork that will fall OUTSIDE the trim lines once the piece is printed and cut to the final size. Most printers require a bleed area to account for “printer bounce” and final trimming. Failure to provide bleed area by having important elements of the image lying too close to the edge will often result in surprises like the one above.

Sometimes designers try to anticipate the exact bleed area required and pad their images with a white or black background or border. This can often backfire with the end result being a sliver of white left showing, or worse yet a slightly crooked sliver of white. Attempting to pad an image with background so as not to lose any image area on a tight crop assumes that the mechanical trimmer (variable tolerance) that cuts your spreads is perfectly accurate and consistent (it isn’t).

Safety margin is a similar term with the same goal: to insure that important design elements don’t wind up looking like they are going to fall off the page, or worse, actually getting trimmed off. We ask for safety margins of one inch on all four sides of a full panorama spread for large Zook Book albums (15×10, 12×12); and 3/4 inch margin for 10×10, 8×12 or 9×12 albums.

This may sound like an excessive amount of safety margin when we do NOT trim anywhere near this much. So why such a big margin? The answer lies in duplicates. Let’s say you design a 12×12 Zook Book for your bride and groom. They love it so much that their parents would like a copy as a 6×6 PhotoBook, or perhaps the bride would like to order a 3-pack of 4×4 PhotoBooks to distribute to her bridesmaids. That one inch safety margin just got knocked down to ½ inch on the 6×6 book and only 1/3 inch on a 4×4.

Let’s assume that you thought a one inch safety margin was needless waste of space and you left only a half inch margin on your original design. Now all of a sudden you have only ¼ inch margin on the 6×6 and less than a scant 3/16 inch on your 4×4. Your PhotoBooks are likely to have trimming issues and you are in for some re-design and re-makes of your PhotoBooks in an effort to fill your customer’s order.

Accounting for bleed and safety margin as you design is simple. If you are in Photoshop, start with a canvas to match your album size: 12” tall by 24” wide for a 12×12 Zook Book. Now move your guides in to the one inch line on top, bottom, left and right sides of your canvas. (It’s a good idea to also make the exact center of your full panorama to avoid having the split or fold going through someone’s eye!). Save this as you starter page to begin each new design on.

Now you’re ready to begin designing. Just treat the safety margin as the line which no heads, feet, key lines or other important design features should cross while still allowing expendable image area or background to extend to the end of the page.

Do NOT address bleed by ADDING some image area assuming that we will trim it off. Doing so often leads to disastrous results with files that are no longer the correct aspect ratio for the book you want to make. Many files for 10×10 books are sent to us that actually measure 10.5” x 20.5”. It’s a dead giveaway that the designer added a half inch bleed. You don’t need an engineering degree to figure out that you no longer have the correct aspect ratio (a page side now being 10.5” by 10.25”) and there will possibly be some unwanted cropping.

If you still have questions about page design and safety margins, feel free to call the friendly and knowledgeable customer service representatives at (888) 326-0967.

The essence of matte paper printing, an elegance all its own!

Monday, May 16th, 2011

Since we released the matte paper option for  press printed PhotoBook and PhotoBook Plus products, many of our customers have given it a try. While many customers sing it’s praises recognizing, as we do, the richness of the pebble texture and the ethereal, almost water-color reproduction of color and contrast, other customers have questioned the print quality or have been unhappy with the tonal range of the paper.

We recognize these opinions and, given that it is not in our best interest to deliver a product that a customer is unhappy with, it is perhaps wise to review the different paper surfaces and print methods.

We run two different print processes here at Zookbinders. Our premium album products, including the Zook Book, Matted Albums and LustreBook are true photographic albums printed on photographic paper, sometimes called silver halide paper. Photographic printing means that the prints are made by exposing chemically sensitized paper to light. The photographic printing process has existed in one form or another since the dawn of photography, and it remains the gold standard for image reproduction with the richest and truest colors and widest tonal range.

Other products we offer including PhotoBook Plus, PhotoBook and Soft Cover Press books are all press printed products. They are printed on high-speed digital presses that apply four color inks to a variety of paper surfaces and thicknesses including the matte paper surface available in PhotoBook Plus and PhotoBook. The efficiency of the digital press together with the lower cost of paper materials are largely responsible for allowing us to offer books at a much lower price point than photographic albums. This cost savings has resonated with our customers and these products have found their place in the market as add-on “parent” albums for weddings and bar/bat mitzvahs, as well as the high school senior and portrait markets.

Although the HP Indigo presses we use are state-of-the-art, press printed material has its limitations and cannot always compare to photographs. This is the trade-off for speed and lower cost. The full spectrum of colors that can be achieved in the RGB world of photographic printing are simply not possible in the CMYK press world. You can see this for yourself in Photoshop by opening an image with bright, saturated blues or greens and clicking image > mode > CMYK Color. The diagram below also shows the spectrum of light that is available to both RGB and CMYK color printers.

Getting back to matte papers they, as a whole, also tend to be less contrasty than glossy or satin finishes. Matte paper’s ability to show tonal range in the darkest areas of an image is limited. This is in part what gives the “water color” look to the finished product.

If accurate, saturated reproduction of color at the edges of the color gamut is most important to you, or your clients, selecting from our photographically printed product line of Zook Book, Matted or LustreBook is your best bet. On the other hand, if you or your customer is more price sensitive, or you desire the matte or glossy paper surfaces,  then the press printed PhotoBook Plus and PhotoBook product lines may be just the ticket.

Life is short. Don’t spend it waiting on digital uploads!

Friday, May 6th, 2011

Since we at Zookbinders moved from just assembling photo albums to actually printing the albums too since we launched print-to-bind service in 2006, we’ve learned a thing or two about digital imaging.

We commonly see image files uploaded to us at every conceivable combination of file size and resolution, some which are needlessly large. We recommend that photographers prepare their image files to the accepted industry standard for photographic printing, which is 300 dpi in the sRGB color space and saved at a level 10 JPEG format.

JPEG compression is the clever method of reducing the image size (and therefore storage capacity needed for) digital photographic files devised by the Joint Photographic Experts Group from where it gets its name. Compression means loss of image quality. Without getting too technical here, converting your image files to JPEG is a tradeoff between maintaining image quality and minimizing storage size. The degree of compression can be adjusted. In Photoshop, the range is from 1 to 12 with 1 being the highest degree of compression coupled with the lowest image quality, and 12 being the least compression and highest quality image.

So given that 12 is the highest quality JPEG, why would we recommend a level 10? The answer is that an image saved at level 10 JPEG is roughly one third the size of the level 12 file which will reduce your storage needs and dramatically speed your internet upload time.* Oh, and by the way, no one can tell the difference!  That’s right, there is no noticeable increase in JPEG artifacts going from level 12 to level 10. You don’t have to take our word for it either. The popular internet hosting site SmugMug reports that after years of debate and contests in forums, the results are that no one has been able to tell the difference between printed photographs generated from files stored at Photoshop JPEG 12 and JPEG 10 settings.

The takeaway here is save yourself the frustration and time wasted watching your images upload to your internet hosting site, or to Zookbinders. You won’t be compromising quality, and just maybe you can get off the computer and have dinner with your family.

*For example, given a 12” x 24” album spread at 300dpi, the uncompressed file (either PSD or TIFF, flattened) will be just over 74 mb. Save this file as a level 12 JPEG file, and it drops to around 15mb. If you save it to a level 10 JPEG, it drops to around 5mb or roughly one third the size of the level 12 file without any noticeable loss in image quality.

Nik Software for ‘Debbie Digital’ – What Do You Think?

Friday, August 6th, 2010

In a recent article in USA Today, Nik Software CEO Michael Slater says he dreams of taking his tools designed to help photo professionals and promote them to another breed of photographer: “Debbie Digital.”

The article says, “Nik is planning software next year aimed at the consumer market: programs that won’t be attached to Photoshop but will offer the same ability to quickly enhance photos, with more precision and control than currently being offered.”

“We want to provide an extraordinary experience beyond the camera that’s for anyone who takes pictures,” Slater says.

Do you think this will be good for the industry? Will it now mean more and more people will be able to create effects and enhance images and take the mystique away from professional photography? Will true professional photographers be able to communicate that great photography is more than camera and computer effects? Will the consumer listen? How might this affect you, your workflow, your business?

Skip College – Make Money

Monday, July 26th, 2010

In a recent article posted on Yahoo, Susan Johnston posts the “7 Jobs to Skip College For.” Freelance photographer made the top of this list. While Ms. Johnston fully acknowledges that these aren’t just easy jobs for drop-outs and they do require a specialized degree, from my perspective, this is just another shot at our industry that you really don’t need much more than a camera and a bit of interest and you’ll be making, as the article says, a median salary of $47,800.

Now I don’t know about you, but I don’t know many photographers, taking home over $45,000. Sure our gross can be several times that but after cost of goods, fixed expenses, equipment investments, employees, taxes and the like, I don’t think many photographers are taking home that kind of money. The ones who are do have at least a degree in photography and many years of experience.

Photography is (or at least was) a craft as well as an art. It takes years to learn and do well. Running a business, is also a skill, to make a living in photography you need a solid business education. Articles like this, in my mind, make light of a serious and challenging profession. Check out the article for yourself and let us know what your background is and if you are taking home this kind of money.

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