Archive for the ‘Tech and Design Tips’ Category

Take an Old School Challenge

Tuesday, June 1st, 2010

As someone who’s been in this industry for over 25 years, and has fully adapted himself to the digital age, I do find it very refreshing to occasionally go old school and shoot film every now and then. A couple years ago I had a client request an all film, B&W package for their wedding. After the first few minutes of looking at the back of my Canon F-1 wondering where my images were, I got into the groove and really focused on what I was doing in the moment and began seeing the shot in my mind rather than always checking the screen.

Many of us know Scott Kelby as Editor of Photoshop User magazine and President of the National Association of Photoshop Professionals. In a recent blog post he set out a challenge to go “old school” for a weekend. Take a look and give it a try. I find that when I shoot film, I actually put more thought into what I am doing before I click the shutter rather than react to what I see on screen after I click the shutter.

Album Design: Taking Cues from the Design Industry

Tuesday, May 25th, 2010

In today’s wedding market, those who are succeeding are putting service first.  With today’s digital albums, offering a comprehensive design service is very important. In taking cues from designers in the interior design field, we can become better album designers and create stunning and personally customized albums for our  clients.

So how do you figure out how to design the best album for your client? Observe, ask and listen. Pretty simple when you think about it, but so few do this. Observe: Look at your client’s wedding. What colors did they use? What style theme flowed through their day? What is in style in the world around us? This can be in weddings, fashion, automobiles and even make-up. All of these influences can help you find a style that suits your client.

Ask questions:  Again easy but often overlooked. What is your client’s favorite color? What format book would they like? Square, vertical, horizontal. What are their design sensibilities? Sleek, elegant, organic, trendy, traditional?

By gathering your research and listening to and noting your client’s responses, you’ll be able to guide them through the design process and suggest the best options to help them get truly excited about thier album.

In this new age, we have found that  couples hiring professional photographers are looking for your professional help and service. They respect your expert opinion and want to be guided through the design process.  They also want to be wowed, and to wow them, you need to know what interests and excites them. This is where taking some cues from the interior design field can help you be more aware of design trends as well as your clients design interests.

Tips for Trash the Dress

Tuesday, May 25th, 2010

The idea of a trash the dress session has been around for awhile. There are many different approaches to this type of session as well as just taking some fun post wedding images of the couple rather than just the bride. Here is a great post by Michael Roney for the Wedding Photojournalist Association. Check it out. These sessions can make great additions to the main wedding album or can be bound into a smaller companion album.

http://www.wedpix.com/articles/trash-the-dress/ttd-trash-the-dress-photo-sessions.html

Photo by Sol Tamargo

Competing Against the Shoot-and-Burn Photographer

Monday, May 3rd, 2010

Despite the many digital innovations such as You-Tube, digital photo frames and DVD slide shows, there is still no better way to enjoy and relive wedding memories with family and friends than with a quality photo album. Still images let you hold, savor and relive these special moments in a way that video or even an I-phone slide show cannot.

Today’s “shoot-and-burn” wedding photographer chooses not to take the time nor, in my opinion, do they see the value in offering complete album design services. Many brides have also chosen this route to “save money” and handle their wedding album design and printing themselves. Some of the problems a bride can encounter with this approach is finding sources for professional quality prints and photo albums, finding the time to do all of the work and having the skills to be able to edit and layout an album. Many images from some shoot-and-burn wedding photographers, or friends of the family, have not been properly color balanced and lead to poor quality output.

All of this, however, is what we do; or at least should be doing. As professional photographers you owe it to you images, your bride and yourself to serve them from capture to final presentation. Most brides these days do want a disk of all of their images. I don’t think there is a problem with that but those images and the work we do as photographers has value, so the disk should not just be given away.

So what can you do to compete against these photographers and the brides who think they just want a disk?

Education – Educate your prospects as to the value of what you do and how it benefits them and insures better photos. Do brides really want to edit hundreds if not thousands of images? Do they want to or even know how to retouch and enhance images. Do they know the difference between a consumer grade and professional reprint? Do they have the skills to design a storybook album? Can they do all of this as quickly and efficiently as you can?

Marketing – Brand yourself as the professional you are, someone better than the Craig’s List shoot-and-burn photographers who offers valuable services.

Give Something to Get Something – Sure many of today’s brides want their images, but do not give them away for nothing. Require your brides to get a small album or include a print credit through your studio, pro-lab or online host so that they’ll receive professional quality images as well as their disk.

Streamline Your Workflow – We have found that with an efficient workflow you can actually sell more. A wedding is an emotional event. To take advantage of that emotion, you need to work quickly. We recommend editing your images and pre-designing an album within the first two weeks following your client’s wedding. Meet and show them their album layout. Make this the first time they see their images so that they emotional impact is high. Make any changes and updates at that meeting. Place the album order and then release the images online. Make a selection of images available via slide show, your blog and/or Facebook to create buzz. Deliver the finished wedding album within three months of their wedding. You’ll get your money, the couple will be excited and you’ll get more referrals. Could the same happen six months or a year after their wedding when the excitement has faded?

Profitable Packaging – Whether you are offering a large package with all of the bells and whistles or a simple package with a few hours or coverage, a highlights album and disk; know your costs and price yourself to be profitable. How else will you stay in business?

Don’t Be Afraid to Say No – Sometimes you just have to say no. First, do all you can to show the value of what you do. But if the prospect can’t see your value and insists that you match the lowest price in the market, say no and find another client.

The following was written by Robert H. Hughes, Master Photographer., MEI., CR., ASP., PPA Certified.

“A THOUGHT ABOUT THE “SHOOT AND BURNERS
There is a group of wannabe “Professional” Photographers who compete solely on price. This group will offer to “Shoot pictures and burn them to a disc.”

The real truth is that they usually do not want any further contact with the client. In most cases they neither have the knowledge, talent or experience to formulate legitimate business strategies or process images to get professional quality prints. This quote from Martha Blanchfield in her Studio Photography Magazine article, about Claudia Kronenberg, a wedding photographer in Nantucket, who sums up the “Shoot and Burn” philosophy. “Having your wedding photographed and just receiving a disk of images is what I would equate to receiving the fabric of the wedding dress without the designer to stitch it together,” says Kronenberg. “It’s what we do with the fabric, or photographs, that make the difference.”

The “Shoot and Burners” do not really care about delivering a professionally finished product as indicated by their philosophy which is shoot and burn. All they want is to be relieved of the responsibility of having to do the hard work which comes after quality images are created. The “Shoot and Burn” strategy does not save money! It catapults the consumer (Bride) into a world of which they have little knowledge. By the time the client experiences what is really involved in finishing the job, the “Shoot and Burner” is long gone with the client’s hard-earned money. “Shoot and burn,” is nothing more than getting quick money from an unsuspecting client.”

We at Zookbinders are here to help you – the true professional photographer. When you succeed, we succeed. If you have any questions or would like help tackling this part of the market, please let me know. You can reach me, Scott Patrick, at 800-810-5745 ext 275 or spatrick@zookbinders.com.

Better Use of Your On-Camera Flash

Friday, April 23rd, 2010

For me, photography is about light. Without it, it is kind of hard to make a photograph. With the large number of people getting into the paid photography arena without formal training in the craft of lighting and photography, I always find it good to be able to share great insight into photographic techniques. A new book out by Neil van Neikerk does just that. In his book On-Camera Flash: Techniques for Digital Wedding and Portrait Photography, Neikerk discusses how to better use what is the only light source many new photographers have available to them.

The following review was posted on DWF and I think sums up the important information reviewed in his book.

“The techniques he shares in this book and on his blog are not earth shattering for anyone who uses on-camera flash regularly and creatively, but are a well thought out, systematic approach to lighting using one of the most basic, portable, and easy to use lighting systems available to professional photographers.

The book is dividing into three parts. The first covers some basic concepts about lighting and equipment. The second covers the technical stuff: Exposure metering, flash modes, sync speeds, etc. The third part is the heart of the book, outlining techniques: bouncing flash, balancing color temperatures, and using flash in broad daylight.

The knowledge contained in this book is important, but it is not as important as actually practicing the techniques Neil talks about, and finding what actually works for you. Neil spends a number of pages early on describing the difference between how his (then) current Canon and Nikon camera systems differ. This is not, in my reading, an absolute “if you are shooting Nikon, then here’s what to look for”, as his observations on how the cameras’ histograms display information may change with the next generation. Instead, these are observations that Neil has made by becoming intimately aware of his camera, his flash, and how the two interact. It’s up to you to learn how your gear works, using what Neil writes here as a starting point and as a baseline.

Now the $34.95 question: is this book worth picking up? If you do not have an intimate knowledge of your flash, how it behaves in different lighting situations, how to dial in exposure compensation, and how to use everything at your disposal as a light source, then absolutely. Owning this book will give you a college-level course worth of instruction on the hows, whys and wherefores of on-camera flash.

Even if you (think) you have a complete understanding of your flash and how to use it, this book can be a good read. As we use our gear, we start to develop ruts: ways of using things that become habit over time. This is not a bad thing, but sometimes we need to be reminded of some of the other ways of using gear, or other techniques, or just to see how other people are dealing with the same issues we are.”

To learn more about this book and the many other books Amherst Media offers check out their web site.

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